COMPANY B – ALBUM REVIEW


Company B – Let’s Shake It 
Company B - Let's Shake It

Release Date: Out Now

Now if you haven’t come across Company B before then you’d be forgiven because Cornish based Swing bands who dress up as 1940s GIs is a pretty niche part of the music biz. However, by the time I’ve finished with you, you’ll not only be aware of the seven-piece, but you’ll be begging for more. The band’s new album is ‘Let’s Shake It’ and it’s a party starter from start to finish. Take opening track, ‘This Cat’s on a Hot Tin Roof’, for example, which comes on strong in blast of horns and the kind of energy that would open up a movie or a glitzy award ceremony. ‘Jim Jam Jump’ keeps the energy going but adds in some call and response vocal to give it that authentic 40s sound before ‘Let’s Shake It’ gives that brass section a workout to get your dancing feet moving.

By this point, you should be tapping your feet so Company B slow it right down with a slinky version of Peggy Lee classic ‘Fever’ featuring some excellent vocal harmonies and a dirty horn crescendo that will have you sweating on the dance floor for any number of reasons. ‘Hey Bartender’ takes the double bass for a walk while ‘Pennsylvania 6-5000’ brings Glen Miller back with a furious pace which has the spats and petticoats flying all around.  ‘Oh Marie’ gets us jumping and jiving with a delicious energy but ‘Good Morning Judge’ wins the prize for the most skittish rhythm section coupled with the most disturbing lyrics.

Company B
Combining an old Cornish shipping port with Jump-Jive-Swing is not something most bands would attempt but Company B aren’t afraid of such challenges. And so ‘Charlestown Stomp’ came into existence with some nimble guitar work and creative percussion to entertain you. The sexiest song on the album award goes to ‘Bump Miss Susie’ for its lyrical content and sliding trombone while ‘Clap Your Hands’ hangs around a square bass line and, well, hand claps that makes you feel like you’re singing around a camp fire the night before the big push.

One of the biggest and best surprises on the album is the band’s superb version of Katy Perry’s ‘Roar’ which adds some serious soul and swing to an already uplifting pop song – it is the best version of the song I’ve ever heard, anyway. ‘Red Brick Dust’ closes out the album and the tone changes with an initially sombre thud and chanting vocal from the seven men of Company B giving this a Deep South vibe which is only supported by the New Orleans funeral finish to the song and album. Whether this band finds a wider audience or not is up for grabs but if you’re up for some excellent musicianship creating even better songs then you’d be a fool to pass these guys up. A damn fool, sir.

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